a work of art is a unique result of a unique temperament
good morning

good morning

Feliz Cumpleaños a la reina <3

Feliz Cumpleaños a la reina <3

@theproserpina &lt;3

@theproserpina <3


She’s Alice in her own sex-positive feminist wonderland, a potion-brewing sorceress with an art director’s eye, and she lives inside of a chromatic kaleidoscope that filters out boys and banality and sees everything in glistening color. Even her name, Maisie Cousins, suggests an otherworldly being. Her compositions often evoke food photography, except with a pornographic prurience and post-digestive chaos reminiscent of Marilyn Minter. Though she speaks in the hedonistic language of color, we translated into English for our chat with her from across the pond. [Click through on].

What’s your history with art and photography? 

I never excelled in any other subject at school, it was the only thing I wanted to do! How did your transition to film come about? 

I think it was always there and naturally needed to happen. 

Tell me a bit about your technical process. How do you get such vivid colors and textures in your work?

Well I use digital as it’s a much more fluid way of working. I use film occasionally but I love the endless possibilities with digital, I like to make things up as I go along and see what’s working and adding things as I shoot, I couldn’t achieve the same with film, although I have really tried to. 

What’s your process of art directing your shoots and finding models? Who are the people you photograph?

Most of the time my models are my friends, or people I know through the internet. I’ve never used models through an agency and don’t think I ever want to. I like the shoots to be a lot like hanging out, lots of snacks and some drink and just being silly! I want my models to have a good time or at least feel sexy whilst posing.

What have been some sources of inspiration for your aesthetic? 

I usually just trust my instincts but there are definitely things that visually inspire me like 80’s music videos, pornos, Japanese posters, disco music, loads of movies, loads of animation and even TV shows, particularly comedy from 1990s-2000. 

Personal philosophies around your work?

I think sometimes it’s easy to get wrapped up in your own ego when showing work online, I think its important to not sell out to a ‘re-bloggable’ aesthetic. I also think it’s important to not just look at other photography but lots of inspiration from everywhere! Also to have fun and do it for yourself.

Where do you see your work going in the future? Any exhibitions/features/editorials coming up?

I have lots planned! I’m currently planning on having my first solo show somewhere, which will be so fun! I’m also just finishing up my degree so as soon as that’s over I can’t wait to really focus on my art platform TART. (  

See more of her work here:

(via pastypeach)


Michael Wolf

Tokyo Compression

Michael Wolf is known for his large-format architectural photos of Chicago and primarily of Hong Kong, where he has been living for more than 15 years.

His latest pictures have also been created in a big city: Tokyo. But this time Tokyo’s architecture is not the topic. Michael Wolf’s Tokyo Compression focuses on the craziness of Tokyo’s underground system. For his shots he has chosen a location which relentlessly provides his camera with new pictures minute by minute.

Every day thousands and thousands of people enter this subsurface hell for two or more hours, constrained between glass, steel and other people who roll to their place of work and back home beneath the city. In Michael Wolf’s pictures we look into countless human faces, all trying to sustain this evident madness in their own way.

— Christian Schüle